Marino Pinamar House by ATV arquitectos
The Project is drenched among the forested areas in Pinamar. Regarding its surroundings and exploiting the perspectives, the house tries to safeguard and embrace its environment.
Concentrating on the material-structure matters, the venture investigates the solid wood coordinating, recommending concrete as the material which characterizes the space-tectonic structure of the undertaking. Three supporting parcels, lying straightly with one another, support the chunk floors which thus swing from the prevalent bars. The structure, with its measurement and composition contrasts, characterizes the space and in as far as possible and boosts the open plant in people in general segment. This offers ascend to the wonder of a space totally ethereal regarding breaking points; given that the entire joinery can be opened totally accordingly constructing a nonstop semi-shrouded range. The backwoods is as far as possible.
Then again, wood is the material used to make every one of the volumes and segments and it is the component which characterizes as far as possible which may emerge from this environment. These points of confinement are obscured, controlled. They can be filtered, shut, moved, isolated, thus characterizing relations with the earth.
The house practically sets the entrance from a yard attached to the porch, which recommends progression of the road developments. This porch partitions the studio division and the general population space, made up of a living and lounge area, kitchen and flame broil segment. On the first floor the rooms are spatially characterized by the area of the wet regions and the wooden allotments. In the meantime, this level has entry to an observatory deck ignoring the woodland.
The move from the general population to the private space is made through a vertical dissemination which takes the subject through diverse sensations as respects light and visuals. In the meantime, a piece completely made of wood goes everywhere throughout the venture, fitting into the solid structure and relating the distinctive levels with capacity spots and overhead lightning relying upon the conditions.
Very nearly as though it were a negative, the task investigates the phenomenical and material connection which emerges between the ground floor world (open) and the upstairs world (private). From the solid surfaces to the wooden joineries (shutting down the stairs in the outside and upstairs in the inside) the task shows this counterpoint, stressing the distinction between the upheld and the supporting, as a tree communicating the components which shield the secured space.
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